A
light music programme
which ran (albeit
intermittently) for over
40 years. It started
during the war, initially
as a record programme,
but by the late forties
it was using studio music
played by a military or
brass band (for the
marches) and a light
orchestra to play the
waltzes. For many years
the semi-resident
orchestra was The Raeburn
Orchestra conducted by Wynford
Reynolds,
although other orchestras
such as those of Richard
Crean,
Reg
Pursglove,
Harold
Collins,
and Hugh
James
were also participating
by the mid-fifties. After
the death of Wynford
Reynolds in January 1959,
Anton
and his orchestra
took over for a while,
but once again, other
orchestras participated
occasionally.
The
programme commenced and
ended with the band
playing the Sousa march
'King Cotton' and the
orchestra playing a part
of 'Vienna Blood'
(Strauss), a novelty
feature being that band
and orchestra would
combine for the last part
of the waltz.
However,this idea could
only be used when both
contributions were live
(the marches were
sometimes pre-recorded)
and it ceased altogether
when,in the sixties, it
was decided to utilise
BBC staff orchestras to
play the waltzes. The BBC
Midland Light Orchestra
did it for a while but
were known to hate the
programme because it
meant a three-hour
session (rehearsal plus
the one - hour broadcast)
playing in three-four
time which they found
monotonous!
After
their participation
ceased, the orchestral
part of the programme was
provided by the BBC
Northern Ireland
Orchestra,
apart from a series
around 1980 when it was
decided to use the London
Studio Players
(augmented with brass)
for the waltzes, with a
different guest conductor
each week. The BBC, in
its infinite wisdom,
decided to bill this in
the 'Radio Times' as -
'The Orchestra conducted
by......' As a title,
this orchestra was
officially disbanded in
the early eighties,
(along with other staff
orchestras) but its
musicians had been given
contracts which provided
them with a limited
number of engagements for
five years. So the BBC
(with a little
imagination) could easily
have given it a
name,possibly utilising
one of the many aliases
under which it had
formerly broadcast!
For
the final series (1983/
1984) the BBC introduced
the idea of having the
band and orchestra switch
roles for two pieces in
each programme. This
resulted in the writer's
waltz 'Souvenir de
Montmartre' being played
by the Band of the Royal
Artillery (Woolwich) in
this final series! Maybe
that was the final straw!
It
is worth mentioning
that,for a while in the
seventies, a variant on
'Marching and Waltzing'
was broadcast,initially
featuring the BBC
Northern Ireland
Orchestra and guest brass
and military bands
entitled 'Brass and
Strings and Other Things'
- a cumbersome title
later shortened to 'Brass
and Strings', when the
orchestral content was
provided by a section of
the BBC Radio Orchestra.
These programmes differed
only to the extent that
the music did not have to
be confined to marches
and waltzes.
Listen
to 'Marching and
Waltzing' played by The
Central Band of The Royal
Air Force,
Director of Music: John
Martindale,
and orchestra conducted
by Raymond
Agoult
as broadcast on 9th
November 1980.
MARCHING
AND WALTZING at 11a.m.
Home Service on 24th.
August 1959
The marches played by the
C.W.S Manchester Band,
Conductor Alex Mortimer
The Waltzes played by
Anton and his Orchestra
March:
The Standard of St.
George
Waltz: Waltz for a Bride
March: Washington Post
Waltz: Gypsy Reverie
March: El Abanico
Waltz: Around the Volga
March: Lorraine
Waltz: Boulevards de
Paris
March: Washington Greys
Waltz: Valse Poudree
March: National Emblem
Waltz: Mon Reve |
Kenneth
Alford
Harry Dexter
Sousa arr. Hewitt
Tony Lowry
Javaloyes arr. Ord Hume
Walter Borchert
Ganne
Gerald Crossman
Grafulla
Francis Popy
Bagley
Walteufel |
|